Item 1 (Engraving, Front matter), fols i r-iii v

[Fols i r-ii r are blank. Fol. ii v contains a small Huntingdon bookplate, with the motto ""In veritate victoria"", and two lions holding up a cloth in a crowned shield with an animal head above it. On fol. iii r an engraving of Elizabeth Hastings, Countess of Huntingdon has been pasted. It depicts her in a cartouche, with angels crowning her. The words around the cartouche are ""Nuper Comitissae Huntingdon vera effigies Dominae Elizabethae."" The same engraving appears in her funeral sermon which was printed in 1635 (see biographical article). Fol. iii v is blank]

[Fols i r, i v, ii r, iii v are blank.]

Item 1 (Engraving, Portrait), fol. [i]

[This leaf is of a different paper stock from the rest of the manuscript. The recto is blank, and on the verso is a copperplate engraving of Christopher Love, signed "M.Vdr.Gucht.Scul", with "71" written in red ink on its lower right-hand corner, and "Beheaded 22 Aug 1651 on Tower Hill" written in pencil above the numeral. The leaf appears to have been taken from either a 1715 or 1717 edition of Clarendon's History of the Grand Rebellion.]

Item 2 (Engraving, Portrait), fol. [ii]

[This leaf is of a different paper stock, both from the first leaf and from the rest of the manuscript as a whole. The recto is blank except for "5" written in pencil on the top, right corner. Another copperplate engraving, signed "T Cross Sculpsit", is pasted onto the verso. The engraving resembles, but is not identical, to the portrait printed in the 1652 edition of Christopher Love's Grace.]

Item 7 (Engraving), p. 1 [verso of fol. iii]

[

Three woodcuts pasted into the ms. Two represent days one and two of creation respectively, with the text in Latin, Hebrew, Greek and English. The English text in each case is a rhyming couplet. The other, larger one depicts God as a triangle inside a circle, with the sun and moon on the left and right, above a crescent shape with a figure representing time. Under that is a blank scroll. From the top a rope twines round, creating a frame of 18 lozenge shapes within which are scenes from the Old Testament. Four of the lozenges are blank.